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P. G. Wodehouse Quotes: 60 of the Funniest Lines

Sixty short, source-checked quotations about Jeeves, Bertie, aunts, love and marriage, golf and Blandings.

Sixty short comic lines and excerpts, grouped by subject. The selection is editorial: “funniest” is an invitation to enjoy the prose, not a measured ranking. All excerpts below come from works published before 1930, and their wording was checked against the linked primary texts.

Attributions distinguish a character speaking from a narrator describing somebody. The Jeeves group includes Bertie’s descriptions of Jeeves; the aunts group includes descriptions of aunts as well as dialogue. Open the book guide for context before treating a line as advice or as the author’s own view.

Jeeves

Jeeves—my man, you know—is really a most extraordinary chap.

Bertie Wooster, narrator — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

Very good, sir. I shall endeavour to give satisfaction.

Jeeves — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

His eye gleams with the light of pure intelligence.

Bertie Wooster, narrator — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

That was always a development to be feared, sir.

Jeeves — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

I hardly liked to take the liberty, sir.

Jeeves — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

Lady Malvern tried to freeze him with a look, but you can’t do that sort of thing to Jeeves. He is look-proof.

Bertie Wooster, narrator — My Man Jeeves (1919), Jeeves and the Unbidden Guest. Read the source text

You can spot it even in the way he shoves studs into a shirt.

Bertie Wooster, narrator — My Man Jeeves (1919), Jeeves and the Hard-boiled Egg. Read the source text

Jeeves trickled in with the tray, like some silent stream meandering over its mossy bed; and I saw daylight.

Bertie Wooster, narrator — My Man Jeeves (1919), The Aunt and the Sluggard. Read the source text

It seems a little obscure at present, sir, but no doubt it becomes clearer at a later point in the communication.

Jeeves — My Man Jeeves (1919), The Aunt and the Sluggard. Read the source text

The green shade gives you a slightly bilious air.

Jeeves — My Man Jeeves (1919), The Aunt and the Sluggard. Read the source text

Bertie

I looked a cross between a music-hall comedian and a cheap bookie.

Bertie Wooster, narrator — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

the old bean would appear to have been constructed more for ornament than for use, don’t you know

Bertie Wooster, narrator — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

It seemed to me that there was a sort of something in her voice, a kind of thingummy, you know.

Bertie Wooster, narrator — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

What I needed then was air, not dinner.

Bertie Wooster, narrator — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

I was so darned sorry for poor old Corky that I hadn’t the heart to touch my breakfast. I told Jeeves to drink it himself.

Bertie Wooster, narrator — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

Absent treatment seemed the touch. I gave it him in waves.

Bertie Wooster, narrator — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

Then I went back to where I had been at first, because it hadn’t seemed quite so bad from there.

Bertie Wooster, narrator — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

Have you ever trodden on a rake and had the handle jump up and hit you? That’s how I felt then.

Bertie Wooster, narrator — My Man Jeeves (1919), Jeeves and the Unbidden Guest. Read the source text

I gave the moustache a thoughtful twirl. It seemed to hurt Jeeves a good deal, so I chucked it.

Bertie Wooster, narrator — My Man Jeeves (1919), Jeeves and the Hard-boiled Egg. Read the source text

He picked up his glass and drained it feverishly, overlooking the fact that it hadn’t anything in it.

Bertie Wooster, narrator — My Man Jeeves (1919), Jeeves and the Hard-boiled Egg. Read the source text

Aunts

She reminded me so infernally of Aunt Agatha. She was the same gimlet-eyed type.

Bertie Wooster, narrator — My Man Jeeves (1919), Leave It to Jeeves. Read the source text

Well, I shall get blamed, don’t you know. You know what my Aunt Agatha is!

Bertie Wooster — My Man Jeeves (1919), Jeeves and the Unbidden Guest. Read the source text

All I could think of was the picture of Aunt Agatha drinking all this in and reaching out to sharpen the hatchet against my return.

Bertie Wooster, narrator — My Man Jeeves (1919), Jeeves and the Unbidden Guest. Read the source text

Rocky’s aunt looked less like an invalid than any one I’ve ever seen, except my Aunt Agatha.

Bertie Wooster, narrator — My Man Jeeves (1919), The Aunt and the Sluggard. Read the source text

It made me feel as if I were something the dog had brought in and intended to bury later on, when he had time.

Bertie Wooster, narrator — My Man Jeeves (1919), The Aunt and the Sluggard. Read the source text

I might—if I wanted her to get round to her lawyer’s in two rapid leaps and cut me out of her will.

Rockmetteller Todd — My Man Jeeves (1919), The Aunt and the Sluggard. Read the source text

Whenever the family take their eyes off her she escapes from the house and spends the day riding about in cabs.

Jeeves — My Man Jeeves (1919), The Aunt and the Sluggard. Read the source text

I want you to plunge into the gay, prismatic life of New York.

Isabel Rockmetteller, in her letter — My Man Jeeves (1919), The Aunt and the Sluggard. Read the source text

I cannot stand idly by and see a young man going to perdition!

Isabel Rockmetteller — My Man Jeeves (1919), The Aunt and the Sluggard. Read the source text

The man has very little intelligence.

Isabel Rockmetteller — My Man Jeeves (1919), The Aunt and the Sluggard. Read the source text

Love and marriage

I have known cases where marriage improved a man's game, and other cases where it seemed to put him right off his stroke.

The Oldest Member — The Clicking of Cuthbert (1922), A Woman is only a Woman. Read the source text

Love is a fever which, so to speak, drives off without wasting time on the address.

The Oldest Member — The Clicking of Cuthbert (1922), A Woman is only a Woman. Read the source text

For years they had shared each other's sorrows, joys, and golf-balls, and sliced into the same bunkers.

The Oldest Member — The Clicking of Cuthbert (1922), A Woman is only a Woman. Read the source text

Mortimer, you must choose between golf and me.

Betty Weston — The Clicking of Cuthbert (1922), A Mixed Threesome. Read the source text

Dash it all, it was a bit of a compliment.

The Oldest Member — The Clicking of Cuthbert (1922), Sundered Hearts. Read the source text

I would sooner have smashed my pet driver than have had you leave me!

Mortimer Sturgis — The Clicking of Cuthbert (1922), Sundered Hearts. Read the source text

I don't care even if you play croquet, so long as you are with me!

Mortimer Sturgis — The Clicking of Cuthbert (1922), Sundered Hearts. Read the source text

Women have to learn to bear anecdotes from the men they love. It is the curse of Eve.

Celia Tennant — The Clicking of Cuthbert (1922), The Salvation of George Mackintosh. Read the source text

The gist of his remarks is that lovely woman rarely fails to start something.

The Oldest Member — The Clicking of Cuthbert (1922), The Long Hole. Read the source text

He was one of those men who marry early and often.

The Oldest Member — The Clicking of Cuthbert (1922), The Heel of Achilles. Read the source text

Golf

They were real golfers, for real golf is a thing of the spirit, not of mere mechanical excellence of stroke.

The Oldest Member — The Clicking of Cuthbert (1922), A Woman is only a Woman. Read the source text

Few things draw two men together more surely than a mutual inability to master golf, coupled with an intense and ever-increasing love for the game.

The Oldest Member — The Clicking of Cuthbert (1922), A Woman is only a Woman. Read the source text

How snobbish! What does it matter where a man lives?

Grace Forrester — The Clicking of Cuthbert (1922), A Woman is only a Woman. Read the source text

You can't expect a fellow to give up golf when he's at the top of his game.

Mortimer Sturgis — The Clicking of Cuthbert (1922), A Mixed Threesome. Read the source text

I don't even know how to hold the caddie!

Mrs. Sturgis — The Clicking of Cuthbert (1922), Sundered Hearts. Read the source text

He missed short putts because of the uproar of the butterflies in the adjoining meadows.

The Oldest Member — The Clicking of Cuthbert (1922), Ordeal by Golf. Read the source text

Golf, my dear fellow, is the infallible test.

The Oldest Member — The Clicking of Cuthbert (1922), Ordeal by Golf. Read the source text

Over-confidence at golf is almost as bad as timidity.

The Oldest Member — The Clicking of Cuthbert (1922), Ordeal by Golf. Read the source text

They find it hardly worth while to get their hair cut in their brief intervals of liberty.

The Oldest Member — The Clicking of Cuthbert (1922), Ordeal by Golf. Read the source text

A moment before, he was, though technically living, a mere clod. A moment hence he will be a golfer.

The Oldest Member — The Clicking of Cuthbert (1922), A Mixed Threesome. Read the source text

Blandings

The door behind him opened, and Beach the butler entered, a dignified procession of one.

Narrator — Leave It to Psmith (1923), Chapter I: Dark Plottings at Blandings Castle. Read the source text

Lord Emsworth was so acutely spectacle-less; Rupert Baxter, his secretary, so pronouncedly spectacled.

Narrator — Leave It to Psmith (1923), Chapter I: Dark Plottings at Blandings Castle. Read the source text

Do you know, Baxter, I really believe I must be growing absent-minded.

Lord Emsworth — Leave It to Psmith (1923), Chapter I: Dark Plottings at Blandings Castle. Read the source text

But, though gratified, he was not overwhelmed by the tribute. The same thought had often occurred to him independently.

Narrator — Leave It to Psmith (1923), Chapter I: Dark Plottings at Blandings Castle. Read the source text

The world seems full of hard-hearted relatives.

Eve Halliday — Leave It to Psmith (1923), Chapter II: Enter Psmith. Read the source text

It was raining flower-pots.

Narrator — Leave It to Psmith (1923), Chapter XI: Almost Entirely About Flower-Pots. Read the source text

Baxter, my dear fellow, your face is dirty.

Lord Emsworth — Leave It to Psmith (1923), Chapter XI: Almost Entirely About Flower-Pots. Read the source text

It was Baxter, sure enough; and a tousled, wild-eyed Baxter incredibly clad in lemon-coloured pyjamas.

Narrator — Leave It to Psmith (1923), Chapter XI: Almost Entirely About Flower-Pots. Read the source text

Lord Emsworth adjusted his glasses and stared at the desk as if he expected it to do a conjuring-trick.

Narrator — Leave It to Psmith (1923), Chapter XIV: Psmith Accepts Employment. Read the source text

The great door of the castle closed with a soft but significant bang--as doors close when handled by an untipped butler.

Narrator — Leave It to Psmith (1923), Chapter XIV: Psmith Accepts Employment. Read the source text

The linked Gutenberg editions are marked public domain in the USA. That catalogue status is not a statement about worldwide copyright. This page uses brief attributed excerpts, not scans, jacket artwork or extended passages.

Sources